Ken Horii's art
Shiva, Ellora
Shiva, Ellora, 1983, black and white film photograph
8"x10" matted
A black and white photograph from a series taken while on a six-month trip throughout India visiting Buddhist sites in 1983. This image is from the rock-cut “cave” spaces at the site, Ellora in the Deccan Plateau.
Seated Buddha 2, Ellora
Seated Buddha 2, Ellora, 1983, black and white film photograph
8"x10" matted
A black and white photograph from a series taken while on a six-month trip throughout India visiting Buddhist sites in 1983. This image is from the rock-cut “cave” spaces at the site, Ellora in the Deccan Plateau.
Naga, Varanasi
Naga, Varanasi,1983, black and white film photograph
8"x10" matted
A black and white photograph from a series taken while on a six-month trip throughout India visiting Buddhist sites in 1983. This image is from the rock-cut “cave” spaces at the site, Ellora in the Deccan Plateau.
Sutras for the Untethered #1, 2021
Ink and pencil on paper
21"x28" (30"x40" matted)
This drawing on paper is from a series titled, Sutras for the Untethered. These drawings emerged from my interest in knots- mechanically, as functional tools, and symbolically as interconnections of thoughts. The Buddhist Sutras are texts that weave connections of thought and action. Sutra or “thread” (of thought) is akin to suere, Latin “to sew”.
Sutras for the Untethered #2, 2021
Ink and pencil on paper
21"x28" (30"x40" matted)
This drawing on paper is from a series titled, Sutras for the Untethered. These drawings emerged from my interest in knots- mechanically, as functional tools, and symbolically as interconnections of thoughts. The Buddhist Sutras are texts that weave connections of thought and action. Sutra or “thread” (of thought) is akin to suere, Latin “to sew”.